SamuKata
Scott Bieser

Scott Bieser

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Scott Bieser posts

1890/160/107

1890/160/107

Underneath that cynical extieror Diana is a real softie.


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1889/159/106

1889/159/106

Not the reunion Otto was expecting.


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1887/157/105

1887/157/105

Stalking the stalker.


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1886/156/104

1886/156/104

How to elude a stalker. Wear a disguise!


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1884/154/103

1884/154/103

Wook finds her center again, is on the ball.


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1883/153/102

1883/153/102

Belbenoit identified.  Where has she seen that face before?


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1881/151/101

1881/151/101

Clearly Zander and Ginger  aren't used to entertaining company.


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1880/150/100

1880/150/100

I think Zander just wanted Diana to meet his hot new girlfirend.


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1878/148/99

1878/148/99

Stefan the Especialista  was modeled on Stefan Kinsella, who is a noted critic of Intellectual Property. Inasmuch as some would say he justifies "piracy," I thought it would be fun to give this character a cheesy pirate patois.


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1877/147/98

1877/147/98

That receptionist was modeled on an unbelievably attractive ginger lady who was the secretary for my probate attorney. The model only had two arms, though.


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1875/145/97

1875/145/97

Lots and lots of floaty buildings. And a great big stack of pancakes.


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1874/144/96

1874/144/96

More fun and games with Jorge's girls.


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1872/142/95

1872/142/95

Man, that month just flew by! Catching up and thanks for your patience:


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1871/141/94

1871/141/94

I'm sure my old friend and former creative partner L. Neil Smith won't mind me portraying him as a successful media mogul.


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1870/140/93

1870/140/93

The more Diana focuses on her case, and less on trying to jolly-up Areum, the better.


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1868/138/92

1868/138/92

I enjoy drawing Alyss and Diana interacting. It's when they feel the most "real" to me.


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1866/136/91

1866/136/91

This one was easy in the pencils, then complicated in the inks. The stars and circles are all from some free custom brushes for Clip Studio that I downloaded.


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1865/135/90

1865/135/90

Diana commits to staying in the game.


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1863/133/89

1863/133/89

Monty Porcupine, on the other hand, kind of gives her the creeps.


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1862/132/88

1862/132/88

Monty Panther is Diana's favorite avatar, I think.


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1860/130/87

1860/130/87

I kind of dread it when I have to sit down and draw a page with a lot of detail like this, but once I get into it I remember why I choose to do this.


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1859/129/86

1859/129/86

Pancakes!


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1857/127/85

1857/127/85

Nope, I'm not doing fan-service showing Diana's naked breasts. When this happens, it's to emphasize her vulnerability. Anyway, that's my story and I'm sticking to it.


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1856/126/84

1856/126/84

Poor Wook learns that her attraction to Diana is not reciprocated. I played this bit fairly subtly, maybe too subtly for many.


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1854/124/83

1854/124/83

Working of a 3-D schematic of the Baxter Building was more challenging than I expected. But then, so are most things in this comic-strip. In fact, most of it wasn't finished until after the colors came in.


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1853/123/82

1853/123/82

Drawing a bunch of old, run-down buildings takes a lot more time than drawing a bunch of shiny, new buildings, lemme tell ya.


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1852/122/81

1852/122/81

Time to activate the Chameleon Field.


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1850/120/80

1850/120/80

"Well, THERE'S your problem, right there."


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1849/119/79

1849/119/79

Anesthesia-fields are the only way to go in surgery.


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1847/117/78

1847/117/78

Hey, mind of our completely uncertified meatball surgeon digs that nasty little tracker out of your arm?




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