Track Walkthrough | Noisia - Decloak

Dude I think my favorite part of this track was that string arp / riff that filters in... That just sounds so cool.

Kieran Unsworth

Beautiful!Definitely my favorite from Armajet's soundtrack!

maybe you could do a tutorial showing how you'd go about making a reese with the Peak and do some processing? I know this is a fairly elementary sound design technique but it would still be nice to get a few tips from you re: how to apply distortion, modulation, etc and some other pointers based on your extensive experience.

another great video. would have liked to see some more earlier stages of the reese's but of course i understand you needed to free up some CPU

Wow this one is the one haha learnt a lot from this vid mate just for the Nosier group is worth the 25 quid a month for me lol love the small precise details in this track its the transitions and the fluidness i always struggle with but its the smaller sounds that seem to have nothing to do with the rest of the track in a musical sense ie hats or cymbols in a certain place drop down and risers to add context plus i need to do alot more layering of sounds found that cool too SD for making the old breaks can get close then when you pitch them up from 140bpm sound much better just got SD3 was using AD2 also also i bang on to my mate about this all the time some ting you said putting bass notes everywhere no gaps or space to let the track breath a bit having that restraint to let the drums finish the end of bar rather than another bass much more about question and answers not just with bass percussion sounds also you guys do this better than most out there gues its differnt contrast can have a very distorted sound layered with a nice clean sound like again how you talked about themes and concepts for tracks some thing to inspire you but i think the level of detail you guys go to is what makes the differnce having control over every little piece of ya track back to front gives me much more of an understanding of arrangments on a macro and a micro level Really enjoyed this one Nik mate also like the way you guys have multiple versions of a song v1 to v120 haha from a sketch to the finish product thanks for teaching us all this cool stuff mate keep them coming like that left feid stuff you come up with but makes total sense in my mind well i think it does might have to watch this one again haha Big up Nik and the Noisia guys total legends !!

Yung-e

Track by track basis. But yeah, sometimes I do keep the bpm deliberately lower to A make it sound more jungle-y when pitched up, and B have more separation between the hits for cutting up. Nik

VISION

Thanks for making these, it is really great to see these tutorials/walkthroughs, i noticed that all the breaks are originally made at 140 (or at least labelled "140"), obviously you have a huge pool to choose from, do you make your breaks at 140 and stretch them to fit or do you approch them on a track by track basis?

Sam crow

I know what you mean. This is something I want to learn about too. Interesting idea for a tutorial, will keep it in mind! Nik

VISION

Will keep that in mind! Nik

VISION

It's really for the presets - I make by far most sounds myself but sometimes I need a break in the workflow or a typical 'preset' sounding sound to make the palette broader. The amount of tweaking you can do on it isn't amazing. Of course I can mess with the sound heavily once recorded. Nik

VISION

would be awesome to get some more info and / resources for music theory. past certain fundamental knowledge a lot of sound design really comes down to personal exploration and accidents but going deeper into ways to create tension and phrase things musically would be awesome! I find myself falling upon the same cliches so often when doing sub patterns for example and the end result makes the progression incredibly predictable

I second this 100 times

Wow, thanks! That trick with saturated crash on top of the bass stab is really dope

Great stuff!! Would also love to see your approach to sound design and bus processing if possible in a future tutorial? Thanks for sharing :D

Most excellent, thank you very much !

JP

I'd LOOOOOVE to see a breakdown of a Purpose EP track (drooling)

Bob Gibson

that was awesome! id love to see you break down how you went about those sends & maybe for next time do a sound design kind of video?

BERRIX

Excellent video, always love seeing inside the minds of others. Would be interesting to see an approach on how you tackle FM8 basses.

Nick Spann

YAAS. Love it. Super curious how you use the fa-08 back there, basically as a library instrument? or do you use it for sound design too?