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Producer | Tutorial : Sample Challenge

Hello Producing Person, here's your first tutorial of the year!

Nik continues from where he left off after the Sample Challenge tutorial; discussing the concepts behind the workflow and diving into some bassline and drum layering.

We hope you'll enjoy this one. If you want, please let us know your thoughts.

Thank you for the support!

Comments

"anyway..."

Gideon Slipman

Also what makes you prefer the drop to other high/low pass filters?

jona

Did that clicking filter ever get resolved? Its kind of concerning

jona

hi Nik -what sample rate are you working at?-fixed throughout the project? cheers

nico

Best tutorial so far, going through from the beginning of your patreon - actually building a track for me is the most interesting way you've explained things

Geoff Greenwood

Hey does somebody know if this stacking function Nik used on the bass in the beginning works somehow in ableton aswell?

KADE

all of them !

charlie robinson

Cheers for doing this , awsome to see how you work - always loved these type of basslines

charlie robinson

What's the name of the book mentioned in the beginning? Sounds like a good read

Ethan Langley

Love this Nik, more Bitwig tutorials please.

Danny Wincott

I lost count

VISION

hey Nik, I know its about the chef not the kitchen but just really really really curious ....how many distortion and saturation plugins do you have? im curious how many each of you have actually....

Johann

The playhead modulation really works as well but I found this a little easier for successive editing of sections/sounds once you settle on a loop you like. I think the book was John Cleese's short book about creativity. N

VISION

Your comments on the creative mindset vs the analytical mindset at the beginning are gold

Ace Aura

yep bitwig needs a smooth mseg

Malte Beyer

2022 feels going to be just right :) thank you \m/

Mr. Dymz

Such a fun way to mess with chopped samples! I like to use the Keytrack modulator to move a big sample around and then adding Steps or LFOs to move the playhead. I should probably slice to multisample more to try new stuff. Was the popping from the filter Steps modulator not being smooth enough or was there another modulation source on the filter making it jump? Also, what book were you referencing? Cheers!

Santino

Wish I'd seen this last night, our discord did a fun comp, my skills were lacking in the time limit

Andrew Ridley


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