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Jack Ruch
Jack Ruch

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Use This System To Get The Most Out Of Arpeggios

Use This System To Get The Most Out Of Arpeggios

Comments

Thank you for your work and your desire to share,.. 🤠💯🎵

Mark Barnett

Fabulous lesson

David Ball

I have been working on this for a few months now and it’s finally coming together. It’s worth the effort..Thank you Jack..

tony sansone

Thanks, Jack! Again you give us a very clear view and another well struktured lesson.

Ambika

Thanks Bill, I'm with you-- going from patterns to relationships among notes. Seems to be the ticket. Best!

Doug Weihnacht

I've purchased three of Jack's courses, "Art of melodic..," "Next Level Rhythm..," and "Magic of Triads." These courses address skills that I've "struggled" to incorporate in my playing for some time. I become adept at using patterns for arpeggios in all flavors, but that doesn't quite work when you want to play the changes of a chord progression. I know all the notes on the fretboard, but that's not enough. After watching just the first few videos of Jack's "Art of Melodic Soloing," and this video on arpeggios, I realize that knowing the notes on the fretboard and being able to use "patterns" isn't enough. I need be able to visualize the notes on the fretboard as I do the keys of a piano--to see each note in its relationship to others in the arpeggio/scale. I never rely on "patterns" when playing the piano. Every note's relationship to each other is obvious. So calling out the notes as I play them and seeing each note in relation to the root and to the next chord is a skill for which patterns only serve as "training wheels"--at least for the purpose of playing changes/target notes. Learning is not linear: What works for me may not work for everyone. But I had to share this epiphany because it cleared the (probably self-induced) obstacle to my progress in this skill area. Just so cool!

Bill Atterberry

Love this lesson, thanks.

William Laven


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