The way you frame your subject is both the simplest and most significant creative decision you can make. It’s also one of the very first choices in any work of art, so it seems like a fitting place to begin.
It helps to start with this question:
What do you want the focus of your composition to be?
If you want to emphasize the whole subject, then include it fully within your frame. If, on the other hand, you'd rather highlight a specific aspect or detail, it may be best to crop out anything that distracts from that focus.
The more elements you include in a composition, the less visual weight or significance each one tends to carry. So be mindful not to dilute the impact of your subject by allowing too many things to compete for attention.
In this video, I show a fun way to explore a variety of framing options using your reference photo.
You can also do this traditionally, simply by covering portions of your reference image with sheets of paper to test different crops.
If you're working from a live model, you might create a frame with your hands or use a cardboard cutout. Or, if you're short on time, you might just use your imagination to project a frame onto your subject.
Framing also helps us to better focus on the big positive and negative shapes which make up an image. I'll be delving much deeper into that topic in the future!
Lane.Draws
2025-05-03 17:31:41 +0000 UTCAndy p.
2025-05-03 08:32:49 +0000 UTC