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Lane.Draws
Lane.Draws

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Lighting for Figure Drawing

Whether you're working from a live model or photo reference, the quality of light on your subject can make or break the experience.

Whether you're working from a live model or photo reference, the quality of light on your subject can make or break the experience. Strong, simple lighting is a pleasure to work with, while overly complex lighting can make the process beyond frustrating.

I’ve found that many life drawing groups operate under poor lighting conditions. Most commonly, it’s a case of too many lights on the model. You’ll often see this issue in photo reference packs as well. Maybe I’m just particular, but I think it ruins the appeal!

Natural lighting is ideal in most cases. But when that's not possible or practical, we can at least approximate it with artificial lights.

Just keep it simple.

Simple lighting is easy to read—and therefore easy to translate into a drawing.

One key light should dominate. Turn off or shade any other lights in the scene that might compete with it.

If you’re not careful, adding even one extra light to the equation can vastly increase complexity, flatten the forms, and create all sorts of broken edges and confusing shadow shapes.

In the future I'll cover ways to take creative control of lighting. It's a powerful tool which we can use to reveal our subjects in the most captivating ways!

Photo Reference

Over the past few years, there’s been an explosion of figure reference packs created by various artists and studios. There’s no shortage of fantastic images to work from. However, it’s frustrating that so many suffer from the kind of overly complex lighting I covered in the video. It's really a mixed bag—some great hits, but lots of misses. I'm planning to make a separate post where I'll go in-depth regarding photo reference packs and my recommendations.

Until then, you'll find them all on the Artstation Marketplace and a nice sample on Proko.com. Bryce Cameron Liston (a fantastic figure artist) also shares excellent reference on his Patreon.

Boom Light

Some years ago, I happily volunteered to manage the lighting for one of my favorite life drawing groups. I bought an adjustable tripod with a boom arm. (Amazon Link) It was perfect! This light could be easily adjusted to any position around or even directly above the model. Sadly I don't have any photos of the light itself, but here's a sketch and snapshot featuring one of our most chivalrous models:


This studio was in a century-old, renovated factory building. It had a high ceiling, but no climate control. During winter months, we surround the models with space heaters. In summer, we'd have all fans on full blast to keep the models from fainting. It was a great time!

Lighting for Figure Drawing

Comments

Yes! That is such a common and frustrating situation. It is tricky to get both simple light on the model and amble light for the artists to work. The clip lights is a fun solution. I should remember that. In some situations, you can shine a lamp directly upward, at the ceiling, so that it reflects and scatters a soft ambient light across the room, but does not directly effect the model. You might require a few of these, depending on the room's layout.

Lane.Draws

This is so good. I’ve been trying to influence my local drawing group to simplify the lighting setup. The group is mostly older folks who often complain that they can’t see their work. They crank up the house lights so much that the only shadows left on the model are ambient occlusion. The group purchased some rechargeable clip on reading lights for anyone who needs extra light on their work, but the lighting on the model is usually still too much.

Buster

Yes! Many artists don't really understand the influence of lighting. Perhaps for some styles it doesn't matter much. (Some artists just draw the outlines, no matter what.) However, for any coherent rendering of form, the quality of light is such a key factor. If I find myself in a situation with poor lighting, it often feels like a waste of time. I know from experience that it only leads to frustration. Maybe I turn and draw something else in the room.

Lane.Draws

This made me realize why I always felt something was off when I would go to my figure drawing club. It was the multiple lightnings! Thank you for the video.

Amado


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